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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, 3 May 2011

The President's 50th Birthday 1

It's now been 50 years since 'The Pres' first made noise. To celebrate, here's the first part of my "50 At 50" podcast mix that can be found at  

John Miles - Music 

This song says it all. First released in 1976 and taken from the album 'Rebel'. It showcases all of Miles' talents, playing piano, guitar and keyboards on the track as well as composing the song. It's a fine example of how a good pop song should be written and I always find it incredibly interesting to listen to, with it's lush orchestration and simplicity of lyrics.  

Altered Images - Happy Birthday 

Probably the best 'birthday song' ever (with the possible exception of The Sugarcubes 'Birthday') this showcases the lovely Clare Grogan's giggly girl vocals and appeared on their first, identically titled album in 1981. it has a particular memory for me as I was working at HMV at the time, and a fellow co-worker loved this album and played it every time it was his turn 'on the rota'. Not only must I have heard this track a hundred times, but edited versions of the song also appeared as an intro and outro to the album - it drove me mad at the time, but now it reminds me of the great times I had there. 

Tourists - I Only Want To Be With You 

Annie Lennox's band before the Eurythmics was a real favourite of mine. I used to play it at all the parties I had as a teenager. it was at one of these drunken festivities, to this track, that I first danced with a cute girl called Jill who was going out with another of my friends at the time. Four years later, in 1983, it became the first dance at our wedding, and we still play it occasionally now. The single reached number 4 in the charts, coincidentally the Bay City Rollers and Dusty Springfield had reached the same position with their own versions, but ex-page 3 girl Samantha Fox, broke the trend when her version, deservedly, only reached number 16 in 1989.  

Stealer's Wheel - Stuck In The Middle With You 

For my twelfth birthday in 1973, I took my new shiny coins to 'Rumbelows' in our high street to purchase my very first seven inch single. I had heard Neil Sedaka performing 'Standing On the Inside' on TV and was determined to make it my first purchase. Fortunately, my nervousness took over when faced with the huge record counter and the long haired 'adult' that confronted me, demanding what record I wanted. I glanced at the Top 20 board for inspiration - it was 'Doing something somewhere' I nervously thought - and spurted out 'Stuck In the Middle' when my eyes glanced upon the title. Masking my disappointment when I got home, I nonetheless quite enjoyed the Stealer's Wheel track and played it to death until I was able to afford the Neil Sedaka single. As my tastes in music developed, I began to realise what a fortunate error had occurred as I have now been forever able to claim that this was my first single, and not the MOR Sedaka track that no-one has ever heard! Every few years it comes to my attention again, in the 90s when Reservoir Dogs became a hit movie, and more recently with the sad death of Gerry Rafferty (see other post). It still remains one of those great songs that can stand repeated plays.  

Art Of Noise - Close To The Edit 

It's probably my second favourite track of all time (my first will be revealed later), Art of Noise were the first group to appear on Trevor Horn's ZTT label in the 80s and I loved them. I always admired artists that tried something different with music and AON certainly did that! Nods towards other genres, humour and perfect melodies were all intrinsic to their releases, and although they lost their way somewhat with their later, ambient, sounds they still remain one of the most innovative bands that ever existed, and still vastly underrated

 XTC - This Is Pop 

Anyone who knows me will know that XTC are my favourite band. From the first time I heard 'This Is Pop' in my friend Steve's house, I was hooked. With Andy Partridge and Colin Moulding at the helm, they are probably the only band that have travelled through punk, new wave, folk, psychedelic and indie, with most stops in between, and still kept their distinctive approach and sound throughout. Perhaps it's because I've grown up with Andy and co, but there hasn't been a sole XTC song that hasn't meant something to me in my life. The early punk days mirrored my teenage angst, their album releases have developed my interest in all genres of music from classical and jazz to pop and rock, and the specific lyrics that have reflected my own views on life fromtitles like 'Respectable Street' to 'Pink Thing'. They were also a great live band until Andy 'retired' from touring in the early 80s and their videos were always entertaining.  

Bucks Fizz - Making Your Mind Up 

I know.... but at the time my love of Bucks Fizz was tempered by my equal love of Motorhead and encouraged by my admiration of the young Cheryl Baker and the 'sexy but nasty' image of Jay Aston. They became the only band that I was keen enough to join their fan club, and have seen, in various line-ups, live many times. It was mainly to annoy my Hells Angels friends that I hung around with at the time, and I certainly had a perverse pleasure in liking something that every other adult seemed to hat, but after winning the Eurovision in 1981, they released several fine pop albums that should not be ignored, if only as an example of how pure pop songs should be made. There's a lot of 'pop' artists around today who could learn a lot from this lot!  

Spice Girls - Stop 

I've been to many concerts over the years, but the one at Wembley Arena, just prior to Geri leaving the line-up was one of the most memorable. Not only for the great time I had with my fellow attendee, but also because I had never experienced so many excitable teenage girls in one place at one time. Along with a few 'dragged-along-honestly' Dads and many, many gays, the whole event had such a party atmosphere, and when 'Stop' was performed no-one could resist the arm-waving dance moves that went along with it - myself included! One knew that this type of mania couldn't last, but I was glad to be there whilst it did.  

Peter Andre - Mysterious Girl 

Before the Jordan Experience - Mr Andre was a half-decent pop star. His first big hit in the summer of '96 was to be heard everywhere, including the school field where my son was having his first sports day, and as I shaded my new born daughter from the blistering sun, this track was played over the school's tannoy. I bounced her to the music, and she smiled back. Many sleepless nights were then avoided as I found that the song, sung quietly whilst rocking, sent her back to sleep. She detests the thought now, but it will be forever recalled in my head as her song!  

Right Said Fred - Deeply Dippy 

And to further embarrass my offspring, here's the song that did the same thing for my son back in '92. It could have been worse - a year earlier their big hit was 'I'm Too Sexy' - now that would be just wrong!  

Rubinoos - I Think We're Alone Now 

In the late 70s I was really into collecting independent record labels. It was in the days when a record label would, more or less, stick with a certain style of music, so that you could basically guarantee that anything that appeared on the label would be of interest. Along with Stiff, and later Mute and ZTT, another label that appealed to me was Beserkley. The home of Jonathan Richman & The Modern Lovers, the label had a great roster that included Greg Kihn, Earthquake, The Spitballs and this little known power pop band - the Rubinoos. I loved this version of an old sixties American hit when it was released. So much so that my band (Square Root???) performed our own cover of it. For years I was proud of covering such an obscure and relatively unheard song, and then in 1988, something terrible happened. A teenage brat with a nasal drone that some people called a voice, took the song to the very top of the UK charts. In one single release, Tiffany had destroyed any hopes of that demo ever getting looked at twice on an A&R managers desk! I hate you Tiffany - (I still think the song is great though!)  

Wings - Magneto And Titanium Man 

It was the mid 70's, and I was travelling home from some visit to some Aunt or Uncle in the back of my Dad's car. I had been reading a comic and trying to ignore, for a good 40 minutes, my father's 8 track stereo pumping out 'the Greatest hits Of Country & Western', when my Dad decided to play a new cassette that he had been given by a colleague at work. At first, I wasn't that interested in the cod-rock musings of someone that used to be in the Beatles, but then this! Not only was it quite a modern sounding song, but it was singing about two characters that I had just been reading about in my comic books. To my young brain, music had never been so relevant to me before, and made me view my father in a completely new light. 

Eliza Doolittle - Skinny Genes 

Every year since 1977, I have compiled my own Top 100 singles of the year for my own amusement - (I didn't become President of the Sad F'ers by accident you know!). To bring things up to date, here's my favourite track from last year. It took a while to get into dear Eliza's wispy musings, but after three singles, I am completely hooked. I hope the follow up album is as good.

Thursday, 13 May 2010

Beestrax



Here's an odd one...one of my first ever compilations, originally made when I was still young enough to believe that all you had to do to make a compilation was to add together a load of your favourite tracks and copy them onto a C-90 cassette. Simple! No licensing, no rights to clear and you could draw your own cases for them too, and for that professional touch, you could use pics cut out from various magazines. No worries about marketing and creating 'hooks' to hang the album on so that people would buy it! All the complications that arose when creating various artist CDs for a living, just didn't exist (or at least it seemed that way!) Just make up a tape for your own enjoyment. Millions did it!

Over the years several of my friends requested copies of this tape, and it still remains one of my favourite things to listen to. Created from various album tracks and 7" single b-sides (remember them?), the title "Beestrax" was quite clever, at least I thought so at the time! Now lovingly re-created on CDR, I can let this album take me back to my youth, it'll do until they invent time-travel...

TRACK LIST
12. Imposter - Withered And Died

Thursday, 6 May 2010

OLD GREY WHISTLE TEST MEMORIES


Continuing on from my last blog, I thought I would share with you some compilations that I have made for my own amusement over the years.

One of my favourite programmes of my youth was BBC's Old Grey Whistle Test. A relative late-comer to the programme, I joined at the stage when 'Whispering' Bob Harris was beginning to lose control of, what until that point had been, his own private TV music show. No longer was the programme showing the prog rock dinosaurs of old. The youthful new bands of the mid-seventies were beginning to take a much larger foothold of TV's only real alternative to 'Top Of The Pops'. Although perfectly relaxed with the 'new wave' of music that he now presented, the introduction of excitable Annie Nightingale as co-presenter obviously irked the reserved Harris, quickly forcing him to leave the programme completely. 'Young upstart journalists' David Hepworth and Mark Ellen, and DJs Andy Kershaw and Richard Skinner, alternatively carried on banging in the nails and digging the grave, of this fine TV institution until it lost firstly it's 'Old Grey' pre-title and inevitably it's soul. By 1987 the programme was little more than an overriding title for live concerts and was dropped completely.

The influence of the 'Test' over the years can not be exaggerated, and it certainly introduced me to hundreds of acts that I would otherwise have missed. In 1980, the BBC released an album of tracks that had featured on the programme over the past few years, and the album became a regular visitor to my turntable at the time. Tracks on 'Test Pressing' were;-

1. Police - Can't Stand Losing You
2. Tubeway Army - Down In the Park
3. Willie Nile - Across The River
4. Yellow Magic Orchestra - Cosmic Surfin'
5. Simple Minds - Chelsea Girl
6. John Etheridge & Ric Sanders (credited as '2nd Vision') - Ice Bells
7. Blondie - Eat To the Beat
8. Jo Jo Zep & the Falcons - Shape I'm In
9. Landscape - Sonja Henie
10. Selecter - Missing Words
11. Alda Reserve - Some Get Away
12. Genesis - Please Don't Ask
13. John Cooper Clarke - Beasley Street

A fantastic album that I can recommend to anyone.

30 years later, I found all these tracks along with the theme tune to OGWT;- Stone Fox Chase by Area Code 615, and then went on to create my own album of personal memories of the programme.

Grey Memories:-

1. Patti Smith - Dancing Barefoot
2. Monochrome Set - 405 Lines
3. Devo - Jocko Homo
4. Talking Heads - Psycho Killer
5. XTC - Radios In Motion
6. Frank Zappa - Baby Snakes
7. Bruce Springsteen - Rosalita
8. Meat Loaf - Bat Out Of Hell
9. Ellen Foley - What's A Matter Baby
10. Kansas - Dust In The Wind
11. Elton John - Tiny Dancer
12. Roches - Hammond Song
13. Santana - Black Magic Woman
14. Dire Straits - Sultans Of Swing
15. Peter Tosh (with Mick Jagger) - (You Gotta Walk) Don't Look Back
16. Frank Zappa - City Of Tiny Lights
17. John Etheridge and Ric Sanders - Dancing Circle
18. XTC - Yacht Dance (Live on 'Whistle Test')
19. Patti Smith - Because The Night (Live on 'Whistle Test) 
20. Al Stewart - Year Of The Cat (Live on 'Whistle Test)

Thursday, 25 February 2010

Music of the Day: XTC

XTC are my favourite band of all time. More than that, I have aged as they have, and as their music has changed over the years, so my own taste has widened. From their first album ('White Music') way back in 1977, to the eclectic musings of their leader Andy Partridge today, their music has always been with me.

When I first heard 'Science Friction' at my friend's house in the late 70s, I was amazed by the combination of power and melody behind these punk 'wannabees'. When I rushed out and purchased their album, I was enthused even more, and in particular by one of the tracks that appeared on side 1.

'This Is Pop' is to me the perfect pop single, and as I played it again this morning, I was amazed by how fresh and immediate it sounded over thirty years later. In the interim, XTC have given me a whole range of musical genres to discover.
It was on this album that I first heard Bob Dylan's 'All Along the Watchtower' (even the Hendrix cover seems tame compared to this!). Their next album 'Go 2' was their progression into 'new wave'. This was one of the best album covers ever, with a cynical comment on the ever-increasing force of marketing on the music industry, cheekily printed with a section missing so that you would have to match the inner sleeve to the corner of the piece to read it in its entirety. The album also came with a free EP of 'dub' tracks that were remixed from the original album so as to become almost unrecognisable!

The third album 'Drums And Wires' cemented the band into my affections and should have been the album that launched them into the mainstream. Unfortunately around this time, Andy had a nervous breakdown live on stage, which ended XTC's career as a touring band, and from that they never recovered.
In the years that followed they transformed musically through pop, psychedelia (via their alter-ego's the Dukes Of Stratosphear), rock, and even traditional English folk music, but although critically acclaimed nothing seemed to attract Joe Public. It hadn't helped that their only Top 10 single to date had been the gimmicky 'Senses Working Overtime' way back in 1982. 'Dear God' was a college hit in the States, a song that always sends a chill down my spine, but after the release of 'Wasp Star' in 2000, Colin Moulding, the other leading force in the group, parted company with Andy and the band faded away. Andy started his own record label APE and released many XTC demos, out-takes and unreleased tracks on the label, as well as signing some creditable acts, but none have (to date) made any mark pm the charts. Andy has produced and appeared on many albums over the years and his consistent talents have always impressed.
Musically, he is my ultimate hero, not least because of his songwriting talents. Whilst others were writing of 'loves' and 'losts', he was composing songs about transport, buildings and politics - and you have to have talent to do that with any credibility. It's why he's seated on my immediate left in my 'last supper' picture (above) - the first invite tp what would be a great party!

BEST ALBUM: DRUMS AND WIRES (1979)
BIGGEST SINGLE: SENSES WORKING OVERTIME (1982) (lastfm)
FAVOURITE TRACK: `MAYOR OF SIMPLETON' (youtube)- from album ORANGES AND LEMONS (1989)
STARTING POINT: ENGLISH SETTLEMENT (1982)









Tuesday, 23 February 2010

Music of the Day: Joan Armatrading


I've just been listening to one of my favourite artists, Joan Armatrading.
Vastly underated over the years, I have made a compilation of all her singles from her first album "Whatever's For Us" from 1972 to "Into The Blues" made 35 years later, and what an enjoyment it's been.
I think what I like best about Joan is her subtleness. Having said that, my favourite track was the pop classic 'Drop the Pilot' from 1983, which is about as subtle as a sledgehammer, but most of her other work displays an intelligence and distinctiveness that sets her apart from most female singers.
Best known perhaps for her first (and to date, only) top ten UK hit "Love And Affection", it's this song that set the tone for what has been an outstanding career taking in blues, jazz, folk and pop.

BEST ALBUM: THE KEY (1983)
BIGGEST SINGLE: LOVE & AFFECTION (1976) (youtube)
FAVOURITE TRACK: THINKING MAN (lastfm) - from album SECRET SECRETS (1985)
STARTING POINT: ME MYSELF I (1980)